Becoming | session nov. 2017

This artwork resonates with several philosophical currents, most notably process philosophy, particularly the ideas of Alfred North Whitehead. Whitehead’s emphasis on “becoming” over “being,” the constant flux and interconnectedness of all things, is visually represented here. The swirling, organic forms seem to be in a perpetual state of transformation, never settling into a fixed state. This echoes Whitehead’s concept of “actual occasions,” momentary events that constitute reality, constantly giving rise to new occasions.

Furthermore, the work touches upon ideas of emergence and complexity. The intricate details and emergent patterns suggest a system operating at a level beyond simple reductionism. This aligns with the work of complexity theorists like Ilya Prigogine, who explored how order can arise from chaos through self-organization. The vibrant colors and seemingly chaotic arrangement hint at a deeper underlying order, a dynamic equilibrium constantly being renegotiated. Finally, there’s a hint of Henri Bergson’s concept of élan vital, a vital force driving evolution and creative evolution, seen in the organic, almost living quality of the forms.

Title: “Becoming”

Description: The artwork is a digital rendering, likely created using 3D modeling and rendering software such as Blender, Cinema 4D, or Maya. The artist has employed a technique of procedural generation, where algorithms are used to create complex forms and textures. This is evident in the intricate, repeating patterns and the organic, almost fractal-like structures.

The color palette is highly saturated, featuring vibrant hues of pink, blue, green, and purple. This creates a sense of dynamism and energy, further emphasizing the theme of constant change. The use of gradients and shading adds depth and dimensionality to the forms, making them appear almost three-dimensional despite being a two-dimensional image. The overall effect is one of fluidity and movement, as if the forms are constantly shifting and evolving.

The lighting appears to be diffuse, with no clear light source. This creates a soft, almost dreamlike quality, further enhancing the abstract nature of the work. The lack of sharp edges and defined forms contributes to the sense of fluidity and movement. The artist has skillfully used textures to add visual interest and complexity to the forms. The textures appear to be a combination of organic and synthetic, further blurring the lines between the natural and the artificial. This blending of organic and artificial elements is a common theme in contemporary digital art, reflecting our increasingly complex relationship with technology. This can be related to the ideas of Gilbert Simondon on the process of individuation and the relationship between technical objects and humans. The work also reminds one of the artistic style of Hans Ruedi Giger, especially in its biomechanical and organic forms.

Software: Mandelbulb 3d.

Author: Marco Antonio P.R.

If you like this and more of my artwork visit my portfolio.