Chromatic Fluidity in the Digital Void | session nov 2020

To contemplate this image is to enter a dialogue between the organic and the digital, a kind of cybernetic Baroque where forms twist and expand in a virtual space. The color palette, dominated by yellow and purple, evokes a duality: solar vitality contrasting with mystical depth. This contrast generates a dynamic tension that captures the gaze, inviting introspection.

The central form, sinuous and fluid, recalls the sculptures of Henry Moore, where abstraction is combined with an organic sensuality. However, instead of the solidity of bronze or stone, here we find an ethereal lightness, an almost liquid quality that defies gravity. This fluidity refers us to Gilles Deleuze’s concept of “becoming,” a constant flow of transformation and change.

The background, a framework of lines and flashes, creates a sense of digital void, an infinite space where the central form floats without anchorage. This void is not a simple backdrop, but an active element that interacts with the form, creating a sense of movement and expansion. We could even evoke Marc Augé‘s notion of “non-place,” a space devoid of identity and meaning, but which paradoxically becomes the stage for an intense aesthetic experience.

As a whole, the image speaks to us of the human condition in the digital age, an era of constant change and adaptation, where the virtual intertwines with the real, and where the search for meaning unfolds in a constantly evolving space.

TItle: “Chromatic Fluidity in the Digital Void”

Description: Abstract digital image featuring a three-dimensional central form with a fluid appearance, composed of intertwining yellow and purple color bands. The shape is suspended over a dark background with linear patterns and light flashes. The overall composition evokes a sense of movement and dynamism, with a marked contrast between the central form and the background. The image has high color saturation and a sharp focus on the main form.

Software: Mandelbulb 3d + Gimp + Inkscape.

Author: Marco Antonio P.R.
Date: Throughout November 2020.

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